Saturday, March 18, 2023

Podcast: The Billy Dees Podcast. Have a Listen

 

    

Out today is the very professional podcast of Billy Dees. Check it out on Apple Podcasts, and give Billy a rating OR any place you enjoy podcasts.  This may be one of my most serious guest appearances. 

Billy Dees: "On this episode, Timothy Gager discusses his writing, love of poetry, and shares some of his own personal journey as part of the recovery community."

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The ABC's of what I also talk about on the Billy Dees Podcast

a) being creative and adding an onion if you're a creative cook.

b) writing on relationships, recovery, and social work being used as topics. I also talk about, "More."

c) Why we understand addiction more these days, instead of us vs. dirty old them.

d)  Treating mental illness by self-medicating and self-medicating creating more mental illness. 

e)  What I was like growing up. 

f)   Why I didn't enjoy writing until after college. 

g)  Hey Robin Stratton, "How about 150 pages of new work in The Best of Timothy Gager."

h) Sperm

i) What you can ONLY get better at?

j) Sound poems "catch Billy's ear." 

k) Phil Collins poem

l) Throwing spaghetti against the wall. 

m) Representing Phoenix, Arizona, in Joe the Salamander

n) No need to research Denny's

o) Importance of throwing stuff out. 

p) Learning alot by being a failure. 

q)  Writing while clear headed. 

r)  Where to find my books. 

s)  Being too political on Twitter

t)  Followers leading to sales?

u)  Find your mouthpieces. 

v)   The awkwardness of sound bytes on Social Video

w)  blah, blah, blah, "Welcome to me..."

x)   Advice: Get out there!

y)   Caitlin Avery's book on her wonderful social media work

z)   Who gave the go for the neuro-diversity character, before Joe the Salamander came out


Wednesday, March 15, 2023

Molecule, a tiny lit mag, publishes a teeny-tiny story of mine

            


I don't tell the story behind every story, and I'm not going to for this one--titled Arpeggio. Consider it a teeny, tiny blimp on the map. Instead, I will categorize it under, clever word play----regarding musical metaphors. Music is very important to me, and when that music stops, well, there you have it.

             Read the story HERE, and also check out the rest of Molecule, as the ability to read 10 stories in 5 minutes is very appealing. Bravo to editors Kevin Caray, and M.P. Carver. 

Saturday, March 4, 2023

Reading And Podcast Appearances 2023

 Most Every Thursday, except Holidays



Virtual Thursdays Dire Literary Series, 7:00 PM- to around 8 PM

Hosting amazing features and an open mic

To Attend
Join Virtual Fridays Dire Literary Series Group on Facebook
or e-mail me for information

or join Virtual Fridays Dire Literary Series group on Facebook
or check The updates within my blog

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Wed, February 22, 2023, 7:30 PM EST, Lynn, Ma.

Speak Up at The Walnut Street Cafe

hosted by Dave Somerset


Walnut Street Cafe
157 Walnut Street, Lynn, Ma

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Sat, March 18, 2023, 6:00 PM EST, Boston, Ma.

Italian American Writers Association Presents

Reading with Janet Sylvester hosted by Julia Lisella


IAM Books
124 Salem St, Boston's North End

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Tuesday, March 21, 2023, 8 PM EDT, Portland, Maine

Featuring at Port Veritas Tuesday Open Mic

hosted by Maya Williams, Portland, Maine's Poet Laureate


Equality Community Center
15 Casco St, Portland, ME


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Sat, April 1, 2023, BOOK LAUNCH 4:00 PM EST, Somerville, Ma.


Best of Timothy Gager     Book Launch

Special Guests M.P. Carver and Cheryl Pappas


Center For the Arts at the Armory
191 Highland Ave., Somerville, Ma.










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Mon, April 3, 2023, 6:30 PM EST, New York, NY.

Phoenix Reading Series Mic

featuring with Jennifer Martelli hosted by Jennifer Juneau

Shades of Green Pub
125 E. 15th street
between Irving Pl., and 3rd Avenue.














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Sat, April 8, 2023, 4:00 PM EST, Essex, Ma.


Second Saturday open Mic

featuring with Chad Pareneau hosted by Alexandra Kirby


First Universalist Church
59 Main Street, Essex, Ma








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Sat, April 15, 2023, 7:00 PM EST, Byfield, Ma.

Bluebird Performance Venue Invitational Mic

Featuring Guitarist Scott Ouellette and Percussionist Tom Lynch
plus Mary Barba wtih a Cello ensemble from the Beverly Study Orchestra

Bluebird Performance Venue
7 Central Street Byfield, MA, $10 Adults, $5 Children
The Bluebird Performance Venue

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Sat, May 6, 2023, 11:30 AM EST, Salem, Ma.

Panel Discussion: Massachusetts Poetry Festival

Panel Discussion: Bring Your Own Mic: The Emergence of Online Poetry Reading
with Chad Parenteau, Jha D and Toni Bee

Location
to be Announced

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UPCOMING PODCAST APPEARANCES




4) Externally Amy with Amy Harrison

4) W.W.A.A. podcast with Kristy Mickelsen











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Monday, February 13, 2023

New Baby Arrives home! Number 1 New Release on Amazon

 

If anyone wants one of these directly from me, they just arrived.....also any sale get ANY of my other books for 50% off (here's the full list) . If you've ever been curious, Best Of is a great place to start---with wonderful cover by Sheila Smallwood.







Wednesday, February 1, 2023

TODAY IS PUBLISHING DAY, I am very honored that Big Table SELECTED some of my best.



 I am so honored to have a Best Of...with an entire book length of new material to go along with what was selected by Editor, Robin Stratton, of  my long time publisher, Big Table Publishing.

 If you click,  Foreward the book by Robin Straton  you can read her entire FOREWARD, in the 'LOOK INSIDE THE BOOK' Amazon widget.  Below is my Introduction--they should be read together. 


FOREWORD

by Robin Stratton

 

Tim Gager is a lot of things: poet, novelist, magazine editor, director of the popular Dire Reading Series, and beloved mascot in the Boston literary scene where he contributes his energy to supporting and cheering on all his writing friends. He’s talented, funny, charming, adorable, helpful, and a dozen years sober. During Covid, while the rest of us stayed home and watched re-runs of Gray’s Anatomy and Downton Abbey and maybe dashed off a poem or two, he wrote an entire volume, Amazon’s #1 best-selling 2020 Poems. With the literary world basically shut down, he reinvented his reading series by becoming a  Zoom host, and then uploaded all of the readings on YouTube. Of course he was also hard at work on his latest novel, Joe the Salamander, a sweetly-sad, funny and heartfelt story about a boy with autism.

It was during this time that I contacted him and asked if he’d be willing to let us publish a Best-of collection. Please understand how unusual it is for Big Table Publishing Company to solicit manuscripts. We get a lot of them, why do we go looking for more?

Because it’s Tim Gager. It’s Tim Gager.

When I started Big Table Publishing Company in 2004, it was a modest endeavor, primarily aimed at helping my writing friends get published. I under-estimated the excitement of a new indie press in the community, and was surprised that we were buried in submissions almost from the start. And as I became immersed in the scene, I kept hearing the name Tim Gager. Have you met Tim Gager yet? You haven’t’? Oh, you have to meet him!

In September 2012, I attended the “100,000 Poets” event hosted by Dedham’s Poet Laureate, Christopher Reilley. As a fledging writer of poetry (I dared not refer to myself as a “poet;” I still don’t) I was happy to see some of my writing friends, including two local favorites known as “the two Jenns”—Jennifer Jean and Jennifer Martelli. Chris tapped my arm and said, “There’s Tim Gager,” and I looked and sure enough, there he was: tall and lanky, smiling warmly. I said, “Oh!” He said, “Hi,” and held out his hand and we shook. And that is how I finally met Tim Gager.  

We became friends. I was over the top excited when he asked if Big Table would consider his first novel, The Thursday Appointments of Bill Sloan. It’s about a fame-lusting psychologist who wants to have his own show, like Dr. Phil, and the disastrous consequences when he gets it. Thursday Appointments was Big Table’s hottest seller in 2014.

Tim went back to poetry and short fiction for his next two books, both published by Big Table: Chief Jay Strongbow is Real (2017) and Every Day There is Something about Elephants (2018.) When we threw a book launch for Elephants, I did something I’d never done before or since: I asked him if I could read one of his stories. Such nerve! What if he was planning to read it? It didn’t matter, I couldn’t help it, I had to be the one to present that story to the crowd. “Jack” is a brilliant, tragic, sparsely, masterfully written story about a cop whose wife is murdered, and I love the last paragraph so much that it almost makes me cry:

Jack has nightmares of yellow tape he can’t cross. Jack spends a lot of time on the sofa. It works like a handcuff. Friends bring dinner. There is food on the table. Jack takes off his hat. “Never marry a cop,” Jack used to kid. Jack washes his creased face. He says, “Oh God, Oh my God.” 

 

Tim’s next novel was Grand Slams, a Coming of Eggs Story. Loosely based on his own teen years, it’s about an ill-adjusted, going-nowhere kid who winds up working at a diner. I loved the review on Amazon that called it “funny, tense, and tender.”

Spreading Like Wildflowers was released just before the pandemic hit, the title sounding like the last breath of fresh air before the world stopped breathing, and in “The Miracles of Recovery,” Tim asks himself with a trace of wonder,


Who would have thought salvation is no longer

found in the piss jars in old isolated bedrooms?

Then it was 2020. Tim, proudly sober at that point for ten years, was alone with his roommates (two rabbits: Alice and Bertie), and was deeply grieving the loss of his mother who had died just a few months earlier, and the decline of his father, who had moved to Maryland and because of COVID, was un-visitable–a gloomy set of circumstances that made most of us reach for a second glass of wine at night. But the true poet embraces emotions, whether joyful or the shittiest time of one’s entire life, and that’s what Tim did:

If you’re weak of mind 

this poem is not a holiday; 

it does not twinkle, nor 

 

are its words lights from a city, 

observed upon the descent― 

each, a pushpin of hope.

 

Completing and securing a publishing contract for Joe the Salamander and then busting his ass promoting it didn’t seem to slow Tim down at all, and when he submitted his Best of manuscript, I was amazed at how much new material was there. As always, I felt that tug of envy, and I am not ashamed to admit it. I especially love the way his chaotic thoughts make a solid landing in such a powerfully calm, insightful place in “God and You:” 

 

Take a trip if you want to come up

to celebrate 6 AM.

It’s been 20 years since

we stayed in Yellowstone,

and, yeah, I'm still struggling:

maybe nine months-six months-three months.

 

One month is when you’re coming?

I love you even with that mouth.

Can you hear me at this distance

saying, I don't need people

I can stay in my room.

But I don’t have to be that person anymore.

 

If the title “Christmas 2019” makes you think you are going to be reading about fluffy snowflakes and kissing ’neath the mistletoe…nope! He has something else in mind, this master of grabbing your heart; instead of twisting it, he releases it and launches it into a beautiful, sacred place:

 

Stunned awake by ring tone

—nothing good comes of—that

 

nurse asking if you’d like

to say a final goodbye

 

as your mother lies dying in a hospice bed.

Maybe they’re only keeping her alive

 

so you can drive to Harbor House at

midnight, because hospice is respectful

 

the same way a neighbor will

later send you a sympathy card.

 

So, you tell the nurse, No

because you have said

 

goodbye every day

for the past two months,

 

sat there at the bedside, heard

her whisper she wasn’t scared

 

of what comes after. She said,

you know, one time,

 

she smelled the scent

of roses in the dead of Winter.

 

Working with Tim Gager has surely been a highlight of my career as editor of Big Table Publishing Company. Being his friend, a highlight of my life. When you read this book, you’ll understand. Because it’s Tim Gager. It’s Tim Gager.  

 

Robin Stratton, January 2023

San Francisco, CA



Introduction

by Timothy Gager

 

I’m often quite strong willed to work with. I have ideas and visions regarding my work, and I have a difficult time letting go.

Soon after Big Table Publishing Company released an anthology of Doug Holder’s greatest works, The Essential Doug Holder, I was asked by Big Table, my publisher of many years, if I would be interested in releasing The Essential Timothy Gager,  a compilation of what they considered my best. To be so honored, wouldn’t you think I would just go with whatever they want?

Well, it is words and the meaning of words which are important, so this is where my head went when I heard the word “essential,” which is defined by the Oxford Dictionary as: absolutely necessary, extremely important.

I don’t feel essential. I never have. Food, water, oxygen, and human contact. Essential. Essential. Essential. Essential. My poems, my fiction, my excerpts. Non-essential. Non-essential. Non-essential. Important to me? Yes. Important to others? I’ve discovered there are a few people I’ve made some sort of mark on, but I’ve never been essential. I am even classified in my job as a non-essential employee, but I am essential enough to draw a paycheck for the past twenty-plus years. My sperm may fit that description as it was essential in producing my children. That fits the definition pretty well, but, also not as a title.

I’ve done an honest assessment of the work included in this anthology, and while  all are the “best” of any given period of my writing or particular publication, I don’t feel they are essential.

At one point I felt different about my place in the world. I, as a human being, was very, very, essential, but only in my own mind. Damn, how essential I thought I was! Whatever I wanted, I felt I deserved in one way or another. If things didn’t happen there had to be someone at fault or some dislike of me.

I also had the important task of figuring out every motivation of every person in the universe and create a narrative around it; my own jaded narrative which was 100% correct, of course. Everything had to be exactly what I thought, because I held this essential central place and my world revolved around it. If it was a square peg in a round hole, I would keep trying until I could jam it in. Everything in that world was black and white, and I held the dye. This is what happens when you appoint yourself while being self-important and dripping with ego. I had a lot to learn.

I got sober in 2010, but it was only when I learned some humility, did sober life kick in as something enjoyable. I welcome you reader, to play a game. Remember those puzzles in children’s magazines where you would find the differences in two illustrations or photographs and circle them in pencil? It is a game you can play when you read this. I challenge you to find the differences in the work written before 2010, versus the ones written after. Some of the work appearing in books published after 2010 have poems or stories written before 2010, so it can get tricky. Replay review might be necessary.

I am thrilled that new, unseen work is included. When I asked Big Table Publishing’s editor Robin Stratton if there was room for any new poems and stories, she was enthusiastic. Little did she know that I had nearly an entire book, over 150 pages of new pieces!  What’s more, I wanted them to be in the beginning. She asked if she could present the material chronologically, at the end. I said I’d prefer to start with them, and she said, “Okay, that’s fine.” Many years into my life as a writer, I can tell you that it is support and encouragement, including this invitation from Robin, that has kept me going, and keeps me willing to write more—and not quit.

I am extremely grateful to Big Table Publishing Company for honoring me by publishing this volume. It humbles me greatly, to have something like this in my hands. I hope you can feel that energy as it sits in your hands right now, and although it is not “essential,” I hope it will somehow leave an impression.

 

“Live 24-7,” Timothy Gager

Monday, January 9, 2023

The World is Nine Days Into Dry January

   


   Dry January may be very hard. Trying to stop even one day is very hard. Trying to do it by yourself even harder. The inability to stop on one's own is the reason that there are programs were groups can help encourage and support. I will be happy to talk to anyone or anyone you know if they are willing to talk to me---ANYONE, no matter what. Feel free to contact me. 

  If you are participating in Dry January, good for you---you are probably feeling better even after this amount of days (this link will tell you why)! Attempting this doesn't mean you are admitting to any problem, but it does mean you want to change things up, or resent your relationship from alcohol and drugs. From personal experience, Dry January meant a few things, but I had a few signposts that it was a good idea the rest of the year. 

You many need a Dry Post-January if:

1) You went hog wild New Year's Eve, and are planning to go hog wild on Feburary 1. 

2) You particularly pick romantic partners for the potential to drink/use with them, thus normalizing your own drinking. A social drinker in a relationship may, and will have something to say to you about yours. 

3) You pick events and locations you can drink at, and if you can't drink at them you SYO (sneak your own). You also have weird traditions, with silly names for non-social drinking. 

4) You always buy nips at the liquor store so you have something to drink on the way home, or if you are looking to hide it. 

5) You've lost a lot of friends, either directly from something you've done, or indirectly....people are just sick of your relationship with booze.  

6) You wake up feeling crappy and are angry that it happened again. 

7) You wake up exhausted because you thought you might, for once, get home early enough to get enough rest. 

8) "Just one" becomes the same old amount. 

9) Night time drinking at home used to start at dinner, and the time seems to be creeping up. earlier, and earlier. 

10) You have to monitor your own consumption.

11) You wish bad things would just stop happening related to your use, but you don't wish to stop.  

12)  It's January 9th and you are either pissed, concerned, or don't give a shit, that you couldn't do it. 

13) You are in bad health, need to stop and cannot. 

     


 If you identify with any of these, no problem, just objectively look at things, there are still 22 more days in January. 

      

  


Sunday, January 1, 2023

Tinkering into 2023 with a flash piece published in The Blue Lake Review.

      Mitchell and Diana Waldman have been tinkering around with their Journal, The Blue Lake Review since 2010, in fact, I was published by BLR in 2011.  Keeping up with a literary magazine is a lot of time and effort for two people to maintain.

SO HERE'S THE STORY BEHIND THE STORY:

           We all know tinkerers. They are the folks that are always doing things around their homes, sometimes major, sometimes minor. Usually you can find them installing dimmer switches, or reparing dining room chairs. Sometimes they re-wire things, or set up other devices, basically they are the at-home Mr. Fix Its, where most of the time they succeed, but at times, they do not.  

         This is a story about what happens to a family owned house which no longer is owned by a member of the family. How does one still manage to tinker? Read all about it! 




Friday, December 30, 2022

Top Ten Blog Posts 2022 per views (Which one is your favorite?)

 This is a weird end of year tradition, but there are many (see video). 

Top 10 most read posts from my blog: Four are essays, two are about published pieces, two are about Dire Literary schedule, and one each on Wilderness House Literary Review, and Joe the Salamander