First review of Chief Jay Strongbow is Real, by Laura Cherry Boston Small Press and Poetry Scene

THE PLAYERS

Doug Holder, poet, editor, publisher                                                           Laura Cherry, poet, reviewer              

  



        Doug, Laura








                                    and me, with a galley of Jay Strongbow, "we hold these truths..."

Put them together 

Tim, Laura, Doug
Review published in Boston Small Press and Poetry Scene
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Chief Jay Strongbow is Real: Timothy Gager Hungers for Truth

Taking its title and prevailing metaphor from a faux-native wrestler who was “arguably the biggest racist gimmick in history,” Timothy Gager’s new collection, Chief Jay Strongbow is Real, sets out to debunk our tidy, comfortable myths and cut through romantic and cultural illusions. The book is set in eight “Acts” that take on loaded topics like politics, addiction and sobriety, love and its demise, family, and poetry itself.

The collection’s introduction and opening poems indict the actions of those currently in power (“sign the contracts / then set the tap water on fire”), but he’s equally allergic to simplistic or idealistic solutions from the other side:

                The most radical revolutions

                Become conservative

                The day after the revolution

                                (“Me Thinks we Protest”)

Gager’s poems are disruptive and clever, full of his characteristic wordplay: “What doesn’t kill you makes you thinner,” “as a fly crows,” and, most light-heartedly:

                You know you slay me

                so what?

                I have dragon breath 

                                (“Loose Flowers”)

Gager is also bold and funny in his skewering of consumer culture (seventies style):

                Take Sominex tonight and sleep

                after Coke and a smile

                is how you spell relief

                                (“I'm Feeling Good About Amerika”)

The collection punctures the balloon of romance and easy intimacy (“this / dating is either gaga or nothing”) but still allows for the hope of deep connection “like a worn t-shirt / is a perfect imperfection.” Silly posturing is off the table here, but love remains a comfort.

In a world of counterfeits, compromise, disappointment and disgust (which extends even to the self: “today at the beach, my patience / vanished like waves taking turns”), the clearest story to tell may be of the adolescent hollowness that cannot be assuaged. Hunger, at least, is true, and memory doesn’t soften it.

                At age sixteen, a hundred and forty pounds

                An empty pit, my ribs stuck out like a step ladder

                My toothpick   arms with bulbous hinges

                I think it impossible   to fill my stomach

                                (“When I Think of my Childhood”)

With its distrust of smug certainties and empty nostalgia, Chief Jay Strongbow is Real might help us sharpen our own gaze, see more clearly, and act simply and boldly: “Cook a meal. / Plant a garden.” If there’s a message here, it is to look for truth and to persist. “By no means stop.”

               

--Laura Cherry